Jeanine Rueff Sonata: did the composer use some dodecaphonic series in the piece or did she write it in a free form?
2018 (English)Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE credits
Student thesis [Artistic work]
Abstract [en]
Abstract
Jeanine Rueff ́s Sonata is a dodecaphonic piece for an unaccompanied saxophone. The aim of this thesis is two fold: First I will do an analysis of the Sonata to try to discover if she used some characteristic series (original, inverted, retrograde, inverted-retrograde...) in her style or, otherwise, she wrote free form.
Then, I am going to talk about this technique and the evolution from classical music to atonality and, eventually, I am going to perform the piece in my final master recital.
Key words: Saxophone, Jeanine Rueff, twelve-tone technique, classical saxophone, analysis, musical research, Daniel Deffayet.
Place, publisher, year, edition, pages
2018. , p. 38
Keywords [en]
Saxophone, Jeanine Rueff, twelve-tone technique, classical saxophone, analysis, musical research, Daniel Deffayet
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-2719OAI: oai:DiVA.org:kmh-2719DiVA, id: diva2:1209614
Supervisors
2018-05-232018-05-232018-05-23Bibliographically approved