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A ‘Service’ Model of Creativity in Commercial Pop Music at P&E Studios in the 1990s
Leeds Beckett University. (ARP2017)
Leeds Beckett University. (ARP2017)
Antal upphovsmän: 12019 (Engelska)Ingår i: Proceedings of the 12th Art of Record Production Conference: Mono: Stereo: Multi / [ed] Jan-Olof Gullö, Stockholm: Royal College of Music (KMH) & Art of Record Production , 2019, s. 287-302Kapitel i bok, del av antologi (Refereegranskat)
Abstract [en]

Producers in pop and dance music genres have a significantly different role tomusic producers in other music genres such as rock (Frith in Frith & Zagorski-Thomas: 2012). A prominent difference is that pop music producers areoften part of a production team that involves direct collaboration and participationwith songwriters, programmers, musicians, artists, record companyA&R executives and managers. Pop music songwriting and production teamsare therefore more frequently part of a larger creative collective (Hennion:1990) in creating a musical product. This historical study introduces the recordproducer as ‘team leader’ and the creative production workflow at P&EMusic Studios located within the Strongroom Studio complex in London duringthe 1990s. It investigates the ways in which the production team workedwithin the creative system of pop-music making and presents the pop music‘Service Model’, which illustrates the various stages of the commercial popsongwriting and production process at P&E during the 1990s.

Ort, förlag, år, upplaga, sidor
Stockholm: Royal College of Music (KMH) & Art of Record Production , 2019. s. 287-302
Nationell ämneskategori
Musik
Identifikatorer
URN: urn:nbn:se:kmh:diva-3137ISBN: 978-91-983869-9-8 (tryckt)OAI: oai:DiVA.org:kmh-3137DiVA, id: diva2:1320471
Tillgänglig från: 2019-06-04 Skapad: 2019-06-04 Senast uppdaterad: 2019-10-09Bibliografiskt granskad

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