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Solokontrabas: hur akustik, intonation och perception inspirerat till ny musik.
Kungl. Musikhögskolan, Institutionen för jazz.
2017 (svensk)Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave [Kunstnerisk arbeiden]
Abstract [en]

Acoustics, intonation and perception are fields that musicians deal with every day. Even so, they are rarely taught extensively in musical education. In my artistic project I investigated how new knowledge in these fields could work as a musical resource and inspire to new solo music for double bass.

 My method has been to compose studies, to make use of this new knowledge in a musical setting. In the etudes I have isolated small areas such as; beating, multiphonics, overpressure, just intonation intervals, the pitch-rhythm continuum, difference tones and microtonal modulation.

This work has changed my view of the concept tone, interval and consonance/dissonance. Working this way has triggered a lot of inspiration and productivity for new unexpected music. This text could be useful for double bass or string players, composers for double bass, musicians that want inspiration in solo playing or incorporate Just Intonation in their musical language.

sted, utgiver, år, opplag, sider
2017. , s. 63
Emneord [en]
Double bass, solo, Just Intonation, dhrupad, acoustics, intonation
Emneord [sv]
kontrabas, solo, renstämning, dhrupad, akustik, intonation
HSV kategori
Identifikatorer
URN: urn:nbn:se:kmh:diva-2380OAI: oai:DiVA.org:kmh-2380DiVA, id: diva2:1103724
Presentation
2017-03-22, Nathan Milsteinsalen KMH, Valhallavägen 105, 115 51 Stockholm, 12:03 (svensk)
Veileder
Examiner
Merknad

Ten Variations of D

Oaktree

Intoning

Examenskonserten

Vilhelm Bromander kontrabas & komposition

Two Seconds 

Vilhelm Bromander - kontrabas & komposition, Benedikt Bindewald - viola

Tilgjengelig fra: 2017-05-31 Laget: 2017-05-30 Sist oppdatert: 2018-05-03bibliografisk kontrollert

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