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Combining Sound- and Pitch-Based Notation for Teaching and Composition
Royal College of Music in Stockholm, Department of Composition and Conducting. KTH Royal Institute of Technology, Stockholm.ORCID iD: 0000-0003-1239-6746
2018 (English)In: Proceedings Proceedings of the International Conference on Technologies for Music Notation and Representation: TENOR'18 / [ed] Bhagwati, Sandeep & Bresson, Jean, Montreal, Canada, 2018, p. 1-6Conference paper, Published paper (Refereed) [Artistic work]
Abstract [en]

My research is concerned with finding a common notation for pitch-based, sound-based and spatialized music in an attempt to bridge the gap between acoustic and electronic music, also working towards the possibility of a holistic system for algorithmic composition based on music representation. This paper describes the first step towards this goal, focusing on the combination of pitch-based and sound-based musical structures, introducing a graphical notation system that combines traditional music notation with electroacoustic music analysis notation. I present how this was tested in practice in a case study within the framework of composition education at the Royal College of Music in Stockholm, where composition students were working with, and reacting to, the system.

Place, publisher, year, edition, pages
Montreal, Canada, 2018. p. 1-6
Keywords [en]
Notation, Aural Sonology
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-2861ISBN: 978-1-5251-0551-7 (electronic)OAI: oai:DiVA.org:kmh-2861DiVA, id: diva2:1249045
Conference
TENOR'18 -- Fourth International Conference on Technologies for Music Notation and Representation
Projects
The Harmony of NoiseAvailable from: 2018-09-18 Created: 2018-09-18 Last updated: 2019-05-03

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http://www.tenor-conference.org/proceedings/2018/01_Skold_tenor18.pdf

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