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Händel, Cleopatra och jag: en musikdramatisk tolkning tar form
Royal College of Music in Stockholm, Department of Classical Music.
2014 (Swedish)Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis [Artistic work]
Abstract [sv]

Från notbild till kropp och intuition. Det uttrycket är essensen av detta examensarbete. Jag kommer att beskriva mitt instuderings- och fördjupningsarbete med rollkaraktären Cleopatra ur Händels opera Julius Caesar och tre av hennes arior.

När man interpreterar operaarior har man mycket att förhålla sig till, den egna personliga tolkningen utvecklas och formas i flera steg. Denna kreativa process kommer jag att undersöka och dokumentera i denna text. Framförallt kommer jag att försöka få en djupare insikt i vem Cleopatra var som historisk person. Jag kan redan på förhand säga att hennes och mina livserfarenheter ter sig väldigt annorlunda. Just därför vill jag sätta mig in i och reflektera över hennes livsöde. Jag tror att det kommer att berika min gestaltning av henne i de tre ariorna ur operan. En annan infallsvinkel som jag kommer att vidröra är barocksång och formen för en barockaria. 

Place, publisher, year, edition, pages
2014.
Keywords [sv]
Händel, opera, Cleopatra, barocksång, interpretation, klassisk sång, sångteknik
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-1727OAI: oai:DiVA.org:kmh-1727DiVA, id: diva2:757020
Educational program
Kandidatprogram musiker
Presentation
2014-05-22, KMH, 19:00
Supervisors
Note

Bilaga: 1 CD

Available from: 2014-11-18 Created: 2014-10-13 Last updated: 2015-03-03Bibliographically approved

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Da tempeste- G. F. Händel(11134 kB)782 downloads
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Music for a while- H. Purcell(5807 kB)314 downloads
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