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The Harmony of Noise: Constructing a Unified System for Representation of Pitch, Noise and Spatialization
Royal College of Music in Stockholm, Department of Composition and Conducting. KTH Royal Institute of Technology, Stockholm.ORCID iD: 0000-0003-1239-6746
2017 (English)In: Proceedings of the 13th International Symposium on Computer Music Multidisciplinary Research / [ed] Richard Kronland-Martinet, Sølvi Ystad, Mitsuko Aramaki, Marseille: Les éditions de PRISM , 2017, p. 550-555Conference paper, Published paper (Refereed) [Artistic work]
Abstract [en]

As a composer of both electroacoustic and acosutic works, I have been puzzled by the lasting discrepancy between the theoretical frameworks surrounding instrumental and electroacoustic music theory, particularly with regard to algorithmic composition. This text outlines the basic ideas for my doctoral studies, focusing on the digital representation of sound for composition, analysis and performance, both as data and graphic notation with the aim of bringing the worlds of acoustic and electronic music closer together.

Place, publisher, year, edition, pages
Marseille: Les éditions de PRISM , 2017. p. 550-555
Keywords [en]
Notation, Aural Sonology, Algorithmic Composition, Spatialization
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-2654OAI: oai:DiVA.org:kmh-2654DiVA, id: diva2:1183764
Conference
CMMR2017 13th International Symposium on Computer Music Multidisciplinary Research
Available from: 2018-02-19 Created: 2018-02-19 Last updated: 2018-02-19

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