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Från ett piano till en orgel: En studie om Franz Liszt som orgeltonsättare med särskilt fokus på hans ”Preludium och fuga BACH”
Royal College of Music in Stockholm, Department of Classical Music.
2018 (Swedish)Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis [Artistic work]
Abstract [sv]

Examensarbetet handlar om min instudering av hur F. Liszts hanterade orgel och fugaformen. Som exempel tog jag hans BACH Preludium och fuga, eftersom fugaformen och harmoniken var viktiga för honom. Det finns både orgel och piano version av detta verk och det kommer att vara intressant för mig som både pianist och organist att jämföra båda versioner.

Place, publisher, year, edition, pages
2018.
Keywords [sv]
Franz Liszt, orgel, BACH Prelude och fuga, Friedrich Ladegasts Merseburgerorgel.
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-2695OAI: oai:DiVA.org:kmh-2695DiVA, id: diva2:1205470
Presentation
2017-06-01, Engelbrekt kyrka, Stockholm, 12:00
Examiners
Available from: 2018-05-14 Created: 2018-05-14 Last updated: 2018-05-14Bibliographically approved

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CiteExportLink to record
Permanent link

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Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
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