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Jeanine Rueff Sonata: did the composer use some dodecaphonic series in the piece or did she write it in a free form?
Royal College of Music in Stockholm, Department of Classical Music.
2018 (English)Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis [Artistic work]
Abstract [en]

Abstract

Jeanine Rueff ́s Sonata is a dodecaphonic piece for an unaccompanied saxophone. The aim of this thesis is two fold: First I will do an analysis of the Sonata to try to discover if she used some characteristic series (original, inverted, retrograde, inverted-retrograde...) in her style or, otherwise, she wrote free form.

Then, I am going to talk about this technique and the evolution from classical music to atonality and, eventually, I am going to perform the piece in my final master recital.

Key words: Saxophone, Jeanine Rueff, twelve-tone technique, classical saxophone, analysis, musical research, Daniel Deffayet.

Place, publisher, year, edition, pages
2018. , p. 38
Keywords [en]
Saxophone, Jeanine Rueff, twelve-tone technique, classical saxophone, analysis, musical research, Daniel Deffayet
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-2719OAI: oai:DiVA.org:kmh-2719DiVA, id: diva2:1209614
Supervisors
Available from: 2018-05-23 Created: 2018-05-23 Last updated: 2018-05-23Bibliographically approved

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CiteExportLink to record
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  • apa
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