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Listening to virtual space in recorded popular music
Kingston University London. (ARP2017)
Number of Authors: 12019 (English)In: Proceedings of the 12th Art of Record Production Conference: Mono: Stereo: Multi / [ed] Jan-Olof Gullö, Stockholm: Royal College of Music (KMH) & Art of Record Production , 2019, p. 105-118Chapter in book (Refereed)
Abstract [en]

Research on virtual recorded space manifests a division between productionandreception-based approaches. I address a number of issues which complicatediscourse across perspectives and outline why a convergence may bebeneficial to research in various disciplines. I consolidate previous models oflistening, including Moore (2012) and Zagorski-Thomas (2014), and arguethat the ecological approach to perception and research on embodied cognitionmay provide a useful theoretical framework for bridging this divide. Thisis exemplified by music analysis and interpretation of Karnivool’s (2009)‘Goliath’. I discuss the virtual recorded space that the track affords me andconsider how listeners may narrativise the track’s personic environment accordingto ecological/embodied principles.

Place, publisher, year, edition, pages
Stockholm: Royal College of Music (KMH) & Art of Record Production , 2019. p. 105-118
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-3122OAI: oai:DiVA.org:kmh-3122DiVA, id: diva2:1320417
Available from: 2019-06-04 Created: 2019-06-04 Last updated: 2019-06-04

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CiteExportLink to record
Permanent link

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Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf