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Electroacoustic Orchestration: Timbre, Space and Sound Material Organisation
Royal College of Music in Stockholm, Department of Composition and Conducting.
2019 (English)Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis [Artistic work]
Abstract [en]

As a composer of electroacoustic music, I’m interested in

understanding which characteristics of classical orchestration can be

used in electroacoustic music after these years of its development. In

specific, which aspects of orchestration can be used as powerful

techniques in acousmatic music? The aim of this study is to create

connections between the conventional acoustic orchestration practice

and electroacoustic orchestration by using a transfer2 technique.

Place, publisher, year, edition, pages
2019. , p. 60
Keywords [en]
Electroacoustic Composition
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-3144OAI: oai:DiVA.org:kmh-3144DiVA, id: diva2:1320485
Presentation
2019-05-07, 1D221, Valhallavägen 105, Stockholm, 23:18 (English)
Supervisors
Examiners
Available from: 2019-06-05 Created: 2019-06-04 Last updated: 2019-06-05Bibliographically approved

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fulltext(5884 kB)13 downloads
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CiteExportLink to record
Permanent link

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Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
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