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Global Hyperorgan: a platform for telematic musicking and research
University of Northern Iowa.
Royal College of Music in Stockholm, Department of Composition and Conducting.ORCID iD: 0000-0002-6967-8077
Luleå University of Technology.
Luleå University of Technology.
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2021 (English)In: Proceedings of the 21st New Interfaces for Musical Expression (NIME) 2021 conference. / [ed] Roger B. Dannenberg and Xiao Xiao, 2021Conference paper, Published paper (Refereed)
Abstract [en]

The Global Hyperorgan is an intercontinental, creative space for acoustic musicking. Existing pipe organs around the world are networked for real-time, geographically-distant performance, with performers utilizing instruments and other input devices to collaborate musically through the voices of the pipes in each location. A pilot study was carried out in January 2021, connecting two large pipe organs in Piteå, Sweden, and Amsterdam, the Netherlands. A quartet of performers tested the Global Hyperorgan’s capacities for telematic musicking through a series of pieces. The concept of modularity is useful when considering the artistic challenges and possibilities of the Global Hyperorgan. We observe how the modular system utilized in the pilot study afforded multiple experiences of shared instrumentality from which new, synthetic voices emerge. As a long-term technological, artistic and social research project, the Global Hyperorgan offers a platform for exploring technology, agency, voice, and intersubjectivity in hyper-acoustic telematic musicking.

Place, publisher, year, edition, pages
2021.
Keywords [en]
Global Hyperorgan, Hyperinstrument, Network performance, HCI, Live-coding, Assisted Interactive Machine Learning, AIML, Musicking, Telematic, Performance, Instrumentality.
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-4384DOI: 10.21428/92fbeb44.d4146b2dOAI: oai:DiVA.org:kmh-4384DiVA, id: diva2:1623907
Conference
The 21st New Interfaces for Musical Expression (NIME) 2021 conference, June 14-18, 2021, Online and NYU Shanghai.
Available from: 2021-12-31 Created: 2021-12-31 Last updated: 2022-01-04Bibliographically approved

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