A short electroacoustic piece commissioned by the team behind Prelude to Nobel at KMH on Dec 9, 2020. It has been worked out using a physical model of a violin that I have programmed in Faust and that I play on with the Quneo controller in six separate layers. Each voice was recorded toghether with a recording of Hedås' piece. Hence, it serves as a mirror image hovering on top of the soft string quartet sound.