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Ackordsspel på gitarr baserat på pianokompteknik: Hur kan man som gitarrist inspireras av pianisters ackordsspel utifrån böcker och transkriptioner?
Royal College of Music in Stockholm, Department of Jazz.
2022 (Swedish)Independent thesis Basic level (degree of Bachelor of Fine Arts), 10 credits / 15 HE creditsStudent thesis [Artistic work]
Abstract [en]

In this work I am exploring piano chord techniques and exploring to which degree I can execute them on guitar. If not, the task is to explore if it’s possible to play something with similar effect. By exploring performances by great guitarists as well as pianist, you develop a knowledge of what works on both instruments. Devices like triads, quartal harmony, shells and skeleton voicings can be used to achieve piano-like harmony when used in different combinations that’s discussed in this work.   

Place, publisher, year, edition, pages
2022. , p. 20
Keywords [sv]
voicings, harmonik, ackord, pianokompteknik, gitarr, jazzgitarr, ackordsspel, sologitarr, ackompanjemang
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-4477OAI: oai:DiVA.org:kmh-4477DiVA, id: diva2:1661633
Educational program
Kandidatprogram musiker
Presentation
2022-04-12, Lilla Salen, KMH, Valhallavägen 105, 115 51 Stockholm, Stockholm, 18:09 (Swedish)
Supervisors
Examiners
Note

Spelade endast egenskrivna kompositioner. Namnen på låtarna som framfördes är: "Pim Pim", "Until Spring Comes", "Mangrove", "Gränsland", "Arising" och "Komposition 1". 

Medverkande musiker:

Katarina Kochetova - piano

Joakim Milder - tenorsaxofon

Markus Isberg - trummor

Olle Lannér Risenfors - kontrabas

Available from: 2022-05-30 Created: 2022-05-30 Last updated: 2022-07-22Bibliographically approved

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CiteExportLink to record
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Citation style
  • apa
  • ieee
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  • Other style
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Output format
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