This thesis discloses how I explored free improvisation through minimalism and composition. 

My initial aims were to merge minimalism with free improvisation. I wanted to combine the hypnotic and meditative effect of the former with the co-creative aspect and element of surprise of the latter. In continuing experiments together with fellow musicians, I tried out different kinds of composing for improvisers, focusing on for instance repetition and motivic development. Experiments were recorded and reflected upon throughout. 

However, halfway into my studies I wanted to focus more on co-creation in-the-moment and therefore left composing behind, but instead used my compositions as practice tools for free improvisation. At this pivotal part of the process, new challenges regarding “improvisation vs. composition” emerged. These were overcome thanks to a change of mindset. 

As a result of these studies, I expanded my vocabulary as improviser, for instance a creative use of repetition, a broader range of interaction and a deeper understanding of free improvisation in general.