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Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place
Royal College of Music in Stockholm, Department of Composition and Conducting.ORCID iD: 0000-0002-6967-8077
2023 (English)In: Organised Sound, ISSN 1355-7718, E-ISSN 1469-8153, Vol. 28, no 2, p. 206-217Article in journal (Refereed) Published
Abstract [en]

This article presents several scenarios in which a live coding environment called Paragraph was utilised to telematically play networked and geographically distributed hyperorgans. Situated within the framework of the Global Hyperorgan project, the TCP/Indeterminate Place Quartet have explored the affordances of the organ network through the concept of Tele-Copresence. By outsourcing certain dimensions of the parameter space of the Paragraph language to other members of the quartet, a shared instrumentality is enabled, where the organs are collaboratively controlled by means of this system. Rooted in a personal composer-performer practice and studied from the perspective of the live coder, the Paragraph system, adapted to the TCP/Indeterminate Place environment, can be understood as a modular system of human and non-human agents, into which the other musicians are patched. The distributed parameter space utilised, thus resembles a shared cantus firmus, a foundational, but dynamically changing, ecology for the live coder to play within.

Place, publisher, year, edition, pages
Cambridge University Press, 2023. Vol. 28, no 2, p. 206-217
Keywords [en]
Live coding, creative coding, hyperorgan
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-5190DOI: 10.1017/S1355771823000377OAI: oai:DiVA.org:kmh-5190DiVA, id: diva2:1819829
Available from: 2023-12-15 Created: 2023-12-15 Last updated: 2023-12-18Bibliographically approved

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Publisher's full texthttps://www.cambridge.org/core/journals/organised-sound/article/live-coding-the-global-hyperorgan-the-paragraph-environment-in-the-indeterminate-place/F0C50E9CED30AB6F0770507F565051B5

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CiteExportLink to record
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  • apa
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