When recording music, the choice of microphones can significantly affect the artistic performance and the final result. Different microphone options are available, often with unique features and in different price ranges. Experts in audio engineering and music recording have long developed preferences and practices for which microphones and microphone types best suit different recording situations. In addition, a wealth of knowledge and insights is available on the optimal placement and handling of microphones in various manuals on audio engineering, sound recording, and music production. Therefore, many beliefs and potential misconceptions about the conditions required to create great recorded music exist. While such ideas may come from experienced producers and sound engineers, they are rarely supported by evidence other than anecdotal stories. Consequently, what started as a well-informed observation can quickly turn into a widely accepted myth. Therefore, more research is needed. This study aims to test the validity of such perceptions or myths and examine the importance of different microphone choices for the artistic design of music recording and how listeners experience the music. This paper presents experiences from completed studies, including examples of innovative use and misuse of technology in performing arts.