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Samlärande i musikundervisning
Royal College of Music in Stockholm, Department of Music Education.
2013 (Swedish)Independent thesis Advanced level (professional degree), 10 credits / 15 HE creditsStudent thesis
Abstract [sv]

I denna uppsats syftar jag till att undersöka hur, när och på vilka sätt samlärande kan ske i

musikundervisning. Genom observationer och intervjuer på barn undersöks hur och på

vilket sätt barn lär av varandra på musiklektioner. Med samlärande menas allt lärande

som sker mellan människor och begreppet utgår ifrån hur vi i en lärprocess kan

förespråka delaktighet, kommunikation och mångfald av idéer och tankar. Vygotskij och

Piaget har haft stor inverkan på samarbetes roll i våra läroplaner och det framgår främst

genom ett demokratiperspektiv på undervisningen. Dock tycks betydelsen av barns

samverkan i läroplanerna minskat genom åren. För att barn ska lära sig av varandra är det

ett antal faktorer som spelar in. Bland annat har läraren en stor roll för att uppmuntra

eleverna till att samarbeta. Utifrån Vygotskijs teorier om den proximala utvecklingszonen

har det vuxit fram ett antal olika modeller för kamratsamverkan, som används i

undervisning. I musikundervisning kan elever praktisera samlärande på ett konkret sätt,

både för att lära sig samarbeta men också som metod till musikalisk utveckling. På

lektionerna kan elever lära sig av varandra och med varandra, och genom att se varandras

kunskaper som en tillgång blir eleverna jämlika och kunskapsutbytet mer demokratiskt.

Abstract [en]

In this essay, I aim to examine how, when and in what manner a peer interaction can take

place in music education. Through observations and interviews examines how children

learn from each other during the music lessons. The concept of peer interaction can be

described as all learning that takes place between humans, and the concept is based on

how we can advocate participation, communication and diversity of ideas and thoughts in

the learning process. Vygotsky and Piaget have had a major impact on the role of

collaboration in our school curricula, which is primarily shown by teaching through a

democratic perspective. However, it seems as though the importance of collaboration

between children has decreased in the school curricula through the years. There are

several factors that matter in order for children to learn from each other. Among other

things, the teacher’s role to encourage the students to cooperate is very important. Based

on Vygotsky's theories on the Zone of Proximal Development a number of different

models of peer interactions, used in teaching, have emerged. In music education, students

can concretely practice peer interaction, both by learning to work together and also as a

method of musical development. In the lessons students can learn from each other and

with each other, and by seeing each other's knowledge as an asset the students become

equal and the exchange of knowledge more democratic.

Place, publisher, year, edition, pages
2013. , p. 28
Keywords [en]
peer tutoring, music, eurhythmics, music education in groups, cooperation.
Keywords [sv]
samlärande, musik, rytmik, musikundervisning i grupp, samarbete
National Category
Music Pedagogy
Identifiers
URN: urn:nbn:se:kmh:diva-1549OAI: oai:DiVA.org:kmh-1549DiVA, id: diva2:695396
Educational program
Lärarexamen med inriktning musik
Supervisors
Examiners
Available from: 2014-02-11 Created: 2014-02-10 Last updated: 2014-02-11Bibliographically approved

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CiteExportLink to record
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