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Etnopoetisk transkribering av musikinteraktion i demensvård: en metodutveckling
Royal College of Music in Stockholm, Department of Music Education.
2016 (Swedish)Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
Abstract [sv]

Syftet med den här uppsatsen är att undersöka om ett experimenterande med etnopoetisk transkribering av den i fältarbetet skapade etnografin kan ge fördjupade insikter i musikens funktion och betydelse inom demensvården. Det sju dagar långa fältarbetet på ett demensboende gav upphov till ljud- och videoupptagningar, intervjuer med personalen, samt fältanteckningar och -dagbok. Etnografin presenteras i två empirisk- analytiska kapitel, av vilka det första undersöker formellt organiserade musiksituationer, medan det andra undersöker informella musiksituationer på demensboendet. Den etnopoetiska transkriberingen eftersträvar att i text så noggrant som möjligt återge tal och sång, liksom även de minsta detaljer i mänsklig kommunikation, så som prosodi, gestik, koreografi och andra paralingvistiska element. Som svar på fem ställda frågor konkluderar undersökningen att den etnopoetiska transkriberingen tydliggör: 1) hur spegling, upprepning och turtagning strukturerar samspelet mellan vårdtagare och personal; 2) den sociala interaktionen mellan forskaren, personer med demenssjukdom och deras personal; 3) hur musik förekommer i situationer som inte vid första anblicken uppfattas som musik; 4) demenspatienter (som agerande subjekt); 5) den kommunikativa musikkompetensen hos personer med demenssjukdom, de anhöriga och personalen.

Abstract [en]

The aim of this paper is to investigate if an experiment with ethnopoetic transcription of the ethnography created in a field study can convey profound insights into the functions and meanings of music in dementia care. The seven days fieldwork, resulting in sound- and video recordings, interviews, field notes and diaries, was conducted in a nursing home. The ethnography is presented in two empirical-analytical chapters, the first of which investigates formally organized music situations, whereas the second scrutinizes informal music situations in the nursing home. The ethnopoetic transcript aspires to meticulously render speech and singing in text, as well as minute details of interaction, such as prosody, gestures, choreography and other paralinguistic elements of communication. In response to a set of five questions, the investigation concludes that the ethnopoetic transcription makes evident: 1) how mirroring, repetition and turn-taking structure the interaction between patients and nursing staff; 2) the social interaction between the researcher, the patients and the nursing staff; 3) how music actually happens in situations that at first sight may be considered non-music situations; 4) dementia patients (as acting subjects); 5) the communicative music-competence of dementia patients, their relatives and the nursing staff.

Place, publisher, year, edition, pages
2016.
Keywords [en]
music therapy, ethnopoetics, informal music situations, dementia patients as acting subjects, communicative music competense
Keywords [sv]
musikterapi, etnopoetik, informell musiksituation, demenspatienter som agerande subjekt, kommunikativ musikkompetens
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-2171OAI: oai:DiVA.org:kmh-2171DiVA, id: diva2:943212
Educational program
Magisterprogrammet i musikpedagogik inriktning musikterapi
Supervisors
Available from: 2016-06-27 Created: 2016-06-27 Last updated: 2025-02-21Bibliographically approved

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CiteExportLink to record
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  • apa
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