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From Tale to Tone: Exploring Icelandic Folklore Stories Through Composition and Improvisation
Royal College of Music in Stockholm, Department of Jazz.
2026 (English)Independent thesis Basic level (degree of Bachelor of Fine Arts), 10 credits / 15 HE creditsStudent thesis [Artistic work]
Abstract [en]

This thesis investigates the role of narrative as a compositional framework in music by drawing on Icelandic folklore as an external source of inspiration. The study explores how pre-existing stories can shape musical structure, thematic development, and expression. The primary objective is to compose and arrange three musical works based on selected Icelandic folktales, examining how musical elements such as melody, harmony, instrumentation, rhythm, and improvisation can represent characters, emotions, and events. Conclusions from rehearsals and the concert performance indicate that narrative awareness enhances performers' interpretations, thereby strengthening compositional clarity. Musicians reported that understanding the stories influenced their expressive choices and contributed to a more unified performance. Additionally, improvisation emerged as a significant tool for conveying emotional states, temporal transitions, and dramatic actions within the narrative framework. The study concludes that narrative can function as an effective and flexible guide in music composition, fostering creativity in structure and thematic development. While listener interpretation does not depend on knowledge of the underlying story, narrative-informed composition offers valuable direction for both composers and performers.

Place, publisher, year, edition, pages
2026. , p. 80
Keywords [en]
narrative, composition, improvisation, arrangement, program music
National Category
Music
Identifiers
URN: urn:nbn:se:kmh:diva-6375OAI: oai:DiVA.org:kmh-6375DiVA, id: diva2:2063780
Educational program
Kandidatprogram musiker
Presentation
2026-02-23, Kungliga Musikhögskolan, Nathan Milsteinsalen, Valhallavägen 105, Stockholm, 19:00 (Swedish)
Supervisors
Examiners
Note

 Repertoir:

Selmatseljan

Átján barna faðir úr Álfheimum

Gissur á Lækjabotnum

Composer: Sigurrós Jóhannesdóttir

Performers:

Marie Stæhr - Vocals

Sigurrós Jóhannesdóttir - Trumpet, Vocals

Tyko Ruin - Flute

Daniel Gahrton - Bass clarinet

Eemil Kautto - Cello

Josef Mac Dermott - Piano

Oliver Wetter Burman - Double bass

Sigge Andersson - Drums

Available from: 2026-06-01 Created: 2026-05-29 Last updated: 2026-06-01Bibliographically approved

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