Innovation in Music 2022

FRIDAY 2022-06-17 

Welcome to Innovation in music 2022! - 15:30 1C103 - Lilla salen 1

Keynote 1: Armen Shaomian - 15:45 - 1C103 - Lilla salen  1

Panel 1: Entrepreneurship, Copyright, & Innovation in Music: Linda Portnoff, Christian Råsmark, Thomas Arctaedius & Örjan Strandberg 15:30 - 1C103 - Lilla salen  1

Seminar with online presenters 17:30 - Lilla salen 

Paul Novotny: How to Put Together a Premium DIY Dolby Atmos 'Tiny Studio' on a Budget  

Anders Lind: Music for the mobile phone orchestra, string orchestra and analog synthesizers: An evaluation of a concert hall performance including 15-year-old non musicians as performers  2

Pedro Miguel Ferreira: Road(ies) To Nowhere? A Portuguese live music perspective, Eirik Askerøi: Sonic Markers in Popular Music: Innovation - Trend - Tradition, Ola Buan Øien: The Dialogue of Mr. Question Mark and Sylvia Massy: Challenging norms at the intersection of crafts and creativity in music recording contexts  3

SATURDAY 2022-06-18  

Welcome with music: Henry Mikkonen & Martin Åberg 08:45 - Lilla salen  4

Seminar with online presenters 09:00 - Lilla salen  4

Yuxiang Cai, Rui Liu and Xuefeng Zhou: An investigation of piano timbre preference based on employing equalizer to adjust the harmonic loudness, Martin Koszolko: Connecting across borders: communication tools, group structures and practices of remote music collaborators, Hussein Boon: Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship  5

Yngvar Kjus, Ragnhild Brøvig-Hanssen & Solveig Wang: Encountering new technology: A study of how female creators explore DAWs, Scott Stickland, Nathan Scott & Rukshan Athauda: The DAW Collaboration Framework: Improving Creative Opportunities and Authenticity in Collaborative Online Audio Mixing  6

Samuel Lynch & Helen English, Jon Drummond, Nathan Scott: Exploring Dynamic Music Methods to Extend Compositional Outcomes  7

Session 1 A 10:20-12.00 - 1C103 (Lilla salen) 

Ingvild Koksvik: Staging Notions of Space: Developing a Practice-Based Model for Realizing Compositional Intention in 3D and Stereo Record Production  8

Grzegorz Trela: The sound from behind the Iron Curtain: Record production in the Polish People's Republic  8

Marc Estibeiro: An interactive chamber work for two classical guitars and electronics which uses the natural sound of the acoustic instruments as both source material for electronic processing and as a means of controlling the electronic part  9

Stephen Bruel: Remastering Elton John's Goodbye Yellow Brick Road  9

Session 1 B 10:20-12.00 (1D221)  9

Claus Sohn Andersen: The space is the place - Interplay and interaction in an extreme location  9

Matthew Lovett: Artificial creativity and tools for understanding: music, creative labour and AI  10

Tony Dupé: Self Production as a Creative Practice  10

Leigh Shields: Exploring the history of distortion in Drum and Bass  11

Session 1 C 10:20-12.00 (1E207)  11

Matthias Jung & Vegard Kummen: Hacking the concert experience - exploring co-creative audience interaction at a chiptune live performance  11

Haoran Jiang: A History of Taiwan's Recording Industry: Production and Promotion Strategies of Campus Song Records by Synco Corporation  12

Mat Dalgleish: Unconventional Inputs: The Modular Synthesizer as One-Handed Instrument 12

Shib Shankar Chowdhury: Autoethnography and composition for Innovative music creation about Pandemic with reference to "I Am Virus"  13

Keynote 2: Susanne Rosenberg 13:00-13:50 - 1C103 (Lilla salen)  13

Session 2 A 14:00-15:40 - 1C103 (Lilla salen)  14

Håkan Lindberg: Innovation solving problems with vocal recordings  14

Emil Kraugerud: Closeness beyond closeness: The technological facilitation of acousmatic hyperintimacy 14

Bjørnar Sandvik: Sample, Slice, and Stretch! Four Innovative Moments in the History of Waveform Representation  14

Antti Sakari Saario: “Yesterday’s Charm, Today’s Precision”: Martin B. Kantola and the design of a new ‘classic’ microphone (Nordic Audio Labs NU-100K)  15

Session 2 B 14:00-15:40 (1D221)  16

Florian Hollerweger: Audio beyond Demand: Creative Reinventions of the Broadcast Listening Experience 16

Sven Ubik, Jakub Halak, Martin Kolbe & Jiri Melnikov: Comfortable playing together over distance  16

Mattias Petersson: A new morphology – Strategies for innovation in live electronics performance  16

Zachary Diaz: Signifyin(g) Producers: The Roland SP-404 and The Evolution of Live Instrumental Hip-Hop Performance  17

Session 2 C 14:00-15:40 (1E207)  17

Kirsten Hermes: Levelling up chiptune: nostalgic retro games console sounds for the ROLI Seaboard  17

Ambrose Field & Ling Ding: Innovation and music business: a new approach for international partnership in music  18

Egor Poliakov & Martin Pfleiderer and Christon-Ragavan Nadar: Analyze! Development and integration of software-based tools for musicological and music theoretical needs  18

Christos Moralis: The ‘Performable Recordings’ model: Bridging the gap between the ‘Human’ and ‘Non-Human’ in Live Electronic Music Performance  19

Session 3 A 16:00-17:15 (1C103 Lilla salen)  19

Scott L. Miller & Carla Rees: Telematic Performance and Recording of Interactive Electroacoustic Chamber Music  19

Henrik Langemyr: Music(al) Production: To Compose and Produce Musical for Recorded Medium: Based on the Perspective of Music, and Media Production  20

Session 3 B 16:00-17:15 (1D221)  20

Phil Harding: Transforming A Pop Song: The Journey of the Extended Club Remix  20

M. Nyssim Lefford & Gary Bromham and David Moffat: From Intelligent Digital Assistant to Intelligent Digital Collaborator  21

Brendan Williams: Creative Potentials for Dolby Atmos: Presenting the self-balancing acoustic ensemble  21

Session 3 C 16:00-17:15 (1E207)  22

Henrique Portovedo & Ângelo Martingo: Transforming Performance with HASGS: research-led artistic practice in augmented instruments  22

Ambrose Field: Rethinking the relationships between space, performance and composition in notated acoustic composition: Quantaform Series  22

Hans Lindetorp: Gesture-controlled synths with WebAudioXML  22

Panel 2: How to get published? And Book releases Chair: Rob Toulson  23

Keynote 3: Sven Ahlbäck, Christian Råsmark & Rob Toulson  23

SUNDAY 2022-06-19 

Welcome with music: Henry Mikkonen & Martin Åberg - 08:45 Lilla salen  23

Panel 3: Exploring Dolby Atmos: Past Present and Future Chair: Daniel Pratt  23

Session 4 A 10:20-12:00 - 1C103 (Lilla salen)  23

Enric Guaus & Alex Barrachina, Gabriel Saber, Víctor Sanahuja, Josep Comajuncosas: Exploring a network setup for music experimentation  23

Paul Thompson, Mcnally Kirk & Toby Seay: Multiple Takes: Multitrack Audio as a Musical, Cultural, and Historical Resource  24

Jo Lord & Michail Exarchos: Dynamic meta-spatialisation: Narrative and recontextualisation implications of spatial stage stacking  24

Stefan Östersjö, Thanh Thuy Nguyen & Matthew Wright: Yellow music in diaspora: Re-inventing the sound of pre-1975 record production in Sài Gòn  25

Session 4 B 10:20-12:00 (1D221)  25

Hans Lindetorp: Towards a standard for interactive music  25

Jessica Edlom, Jenny Karlsson & Linda Ryan Bengtsson: Innovating music experiences – Creativity in pandemic times  25

Alicja Sulkowska: Before Our Spring – towards the concept of intermedial authenticity in a curated K-pop industry. On the example of Kim Jonghyun’s “Blue Night Radio”  26

Dave Fortune: Composing Without Keys: The LFO as a Composition Tool  27

Session 4 C 10:20-12:00 (1E207)  27

Mads Walther-Hansen & Anders Eskildsen: Forceful Action and Interaction in Non-Haptic User Interfaces for Music Production  27

Charles Norton, Justin Paterson & Daniel Pratt: Musical connections and enhanced performance control, a strategy to reduce complexity  28

Kjell Andreas Oddekalv: Rap as composite auditory streams: Techniques and approaches for layered vocal production in hip-hop and their aesthetic and philosophical implications  28

Liucija Fosseli: Music Business Present and Future Innovations. Perspectives of international songwriters and producers working towards Chinas´market  29

Keynote 4: Håkan Lidbo 13:00-13:50 - 1C103 (Lilla salen)  29

Session 5 A 14:00-15:40 - 1C103 (Lilla salen)  29

Stefan Östersjö & Jan Berg, Anders Hultqvist: A Deepened ‘Sense of Place’: ecologies of sound and vibration in urban settings and domesticated landscapes  29

Andy Visser & Justin Paterson: HAPPIE: The Haptic Audio-Production Pipeline – A novel method for accomplishing audio-production tasks using haptic feedback within a Mixed Reality [MR] environment 30

Jon Marius Aareskjold-Drecker & Ragnhild Brøvig-Hanssen: Vocal Chops: Balancing the Uncanny Valley 30

Jacob Westberg: Ludonarrative Harmony: Music production through the lens of game design 31

Session 5 B 14:00-15:40 (1D221)

Thomas Bårdsen: Improving the republishing process of legacy music productions through documented source selection and reformatting  31

Toivo Burlin: Mobile Classical Music – Recording, Innovation and Mediatization. Three Swedish case studies from the 1940’s to 2021  31

David Thyrén, Jan-Olof Gullö, Per-Henrik Holgersson & Thomas Florén: Icebreakers and clusters within the Swedish music wonder  32

Russ Hepworth-Sawyer, Rob Toulson & John-Paul Braddock: UDPi Mastering Protocol  32

Session 5 C 14:00-15:40 (1E207)  33

Mads Walther-Hansen: Music Production Entrepreneurship – Between Art and Business  33

Thomas Arctaedius, Martin Q Larsson, Emilie Lidgard & Madeleine Jonsson Gill: Experiences from a Learning Lab – Cross Innovation in Music/Arts  33

Daniel Pratt & Toby Seay: Time, place, and reflexivity: the recording space as an instrument 34

Samantha Talbot: Song Worlds: Spontaneity, Intimacy, and Immersion. Music Video from Glencoe  34

Concert & Paper presentation Henrik Frisk: Literate programming and documentation of artistic processes . Lilla salen 16:00   34

Panel 4: Final reflections & Future perspectives 16:40  35