Who is the contemporary flutist? And what is the mystery behind the so-called contemporary techniques? Why are they contemporary? Why to use them? Do we really want to feature these technical skills in our performances? Is it a show-off or does it have an artistic value? I have been asking myself these questions for the past few years since I became interested in this topic.

In my artistic research, I focus on highlighting and exploring, based on historical, personal, and research-based experiences, how classical flutists can develop through contemporary techniques. I examine how their use and mastery can impact artistic expression and what new possibilities they open up for classical musicians.

I also analyse the results of integrating extended techniques not only into the flute repertoire and technique but also into the flute’s sound itself—one of the most essential tools for a classical flutist’s artistic expression. This integration can have a more profound, even philosophical influence on classical playing, rather than merely serving as a technical tool. To achieve this, we must first develop a clear understanding of the history and current landscape of classical music and flute playing, along with the role and responsibilities of a contemporary flutist.