Innovation in Music: Innovation Pathways brings together cutting-edge research on new innovations in the field of music production, technology, performance, and business. With contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on the relationship between innovation and rebellion.
Including chapters on mixing desks, digital ethics, soundscapes, immersive audio, and computer-assisted music, this book is recommended reading for music industry researchers working in a range of fields, as well as professionals interested in industry innovations.
Table of Contents
Chapter 1. Record-breaking: Palimpsestuous and Other Generative ‘Record Cutting’ Methodology Misadventures - Dylan Beattie
Chapter 2. 98% Of ‘You’re Not Supposed To Do That’ Innovation Attempts Fail: What Did The 2% Do? - Darrell Mann
Chapter 3. I Want to Break Free: Challenging the Hegemony of Traditional Composition Through Improvisation, Performance, Collaboration and Sound Installation - Monica Esslin-Peard and Samuel D Loveless
Chapter 4. Reinventing the Mixing Desk: A Comparative Review of the Channel Strip and the Stage Metaphor - Vangelis Katsinas
Chapter 5. Whose D(Art)a is it Anyway? Repositioning Data and Digital Ethics in Remote Music Collaboration Software - Martin K. Koszolko and Kristal Spreadborough
Chapter 6. Listening as Contemplation: A Reflexive Thematic Analysis of Listening to Modular-based Compositions - Rotem Haguel and Justin Paterson
Chapter 7. Research the Effect of Visual Stimuli on Auditory Perception in Music Recording and Listening - Pengcen Liu
Chapter 8. The Impossible Box: Building a DIY Groovebox on a $10 Microcontroller - Andrew R. Brown
Chapter 9. The Soundscape Cube System: A Method for the Construction of a Coherent Soundscape During Recording and Mixing - Tore Teigland
Chapter 10. Digging in the Tapes: Multitrack Archives as an Emerging Educational Resource - Paul Thompson, Toby Seay and Kirk McNally
Chapter 11. Gatekeeping in the Audio Mastering Industry - Russ Hepworth-Sawyer
Chapter 12. Music Mastering and Loudness Practices Post LUFS - Pål Erik Jensen, Tore Teigland and Claus Sohn Andersen
Chapter 13. LCR: A Valuable Multichannel Proposition for Modern Music Production? - Juhani Hemmilä and Jason Woolley
Chapter 14. Rethinking Immersive Audio - Adam Parkinson and Justin Randell
Chapter 15. Deliberate Practice and Unintended Consequences in Music Production as Practice and Pedagogy - Hussein Boon
Chapter 16. Artistic Intuition and Algorithmic Prediction in Music Production - Mads Walther-Hansen
Chapter 17. A Radiological Adventure: The Sonification of the Apocalypse - Charles Norton, Daniel Pratt, and Justin Paterson
Chapter 18. Computer-Assisted Music as Means of Multidimensional Performance and Creation: A Post Approach to "Singularity Study 3" - Henrique Portovedo
London: Focal Press, Routledge , 2024, 1. , p. 250
This series, Perspectives on Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative and professional contexts. We solicit the perspectives of scholars of every disciplinary stripe, alongside recordists and recording musicians themselves, to provide a fully comprehensive analytic point-of-view on each component stage of music production. Each volume in the series thus focuses directly on a distinct stage of music production, from pre-production through recording (audio engineering), mixing, mastering, to marketing and promotions.